Adam Shatz, London Review of Books, 9 October 2008
If you live in an American swing state you may have received a copy of ‘Obsession’ in your Sunday paper. ‘Obsession’ isn’t a perfume: it’s a documentary about ‘radical Islam’s war against the West’. In the last two weeks of September, 28 million copies of the film were enclosed as an advertising supplement in 74 newspapers, including the New York Times and the Chronicle of Higher Education. ‘The threat of Radical Islam is the most important issue facing us today,’ the sleeve announces. ‘It’s our responsibility to ensure we can make an informed vote in November.’ The Clarion Fund, the supplement’s sponsor, doesn’t explicitly endorse McCain, so as not to jeopardise its tax-exempt status, but the message is clear enough, and its circulation just happened to coincide with Obama’s leap in the polls.
The Clarion Fund is a front for neoconservative and Israeli pressure groups. It has an office, or at least an address, in Manhattan at Grace Corporate Park Executive Suites, which rents out ‘virtual office identity packages’ for $75 a month. Its website, clarionfund.org, provides neither a list of staff nor a board of directors, and the group still hasn’t disclosed where it gets its money, as required by the IRS. Who paid to make ‘Obsession’ isn’t clear – it cost $400,000. According to Rabbi Raphael Shore, the film’s Canadian-Israeli producer, 80 per cent of the money came from the executive producer ‘Peter Mier’, but that’s just an alias, as is the name of the film’s production manager, ‘Brett Halperin’. Shore claims ‘Mier’ and ‘Halperin’, whoever they are, are simply taking precautions, though it isn’t clear against what. The danger (whatever it is) hasn’t stopped Shore – or the director, Wayne Kopping, a South African neocon – from going on television to promote their work.
Have you seen the movie? It’s really very good. I am biased, because I have been working with the filmmakers to help get the word out.
I understand why there is scrutiny about the movie, but the author can’t imagine that perhaps the movie is being promoted now because Islamic terrorism itself is an issue that deserves to be considered at the polling booths? After 9/11 it was very much on people’s minds, but there is what Megan McArdle calls the “recency effect” — another terrorist attack in the United States is just as likely now as it was 6 years ago, but time has passed, so we don’t think about it as much.
Besides, the movie clearly lets people make up their mind for themselves, and so you should.